Today, I’m hosting author Garrick Jones’ latest release Servants of the Crown, a gay historical, thriller.
Book Title: Servants of the Crown: The Turkish Pretender
Author: Garrick Jones
Publisher: MoshPit Publications
Cover Artist: Garrick Jones
Release Date: 24 March, 2022
Genre: Gay Historical Fiction; Spy Thriller.
Tropes: Circle of Friends; Master and Servant.
Themes: Betrayal, treason, the strength of friendships and the ultimate connection.
Heat Rating: 2 flames
Length: 124 891 words/389 pages
It is a standalone story and does not end on a cliffhanger
The book is also available in paperback
Intelligencers: men and women from all walks of life and from all sections of society, servants of the Crown who work for the Home Office gathering information vital to the security of the nation.
London, 1855. While Great Britain is at war with the Russians in the Crimea, a cadre of disaffected seditionists and insurrectionists, made up of members of the aristocracy and wealthy industrialists, have set a plan into action that’s been decades in the making—a plan that aims to overthrow the Queen and to install a puppet king on the throne in her place. With the war raging and disquiet in the industrial north and in Ireland, their perfidious plot, unless stopped, threatens to bring about anarchy and revolution.
Aware of the imminent danger, Sir George Grey, the Home Secretary, has tasked The Brothers, a band of four men, friends of over twenty years, to root out the source of the infection, destroy the clique, and track down and eradicate its foreign pretender by any means necessary. From molly houses to state banquets, from hospitals to steam baths, from aristocratic households to the meanest of slums, the friends find themselves in a succession of increasingly perilous situations.
Like the mighty Thames, undercurrents flow swift and deep as they uncover plot after plot and treachery and treason in abundance.
“Fetch Christopher, if you please, Elam,” Lennard said.
“What? Are you going to have me manhandled out the door?”
“No, Terrence. Christopher is waiting for me with my riding equipage. I was about to exercise my horse and I shall do so once I’ve seen to Miles. You’ve paid me for the destruction of my window and given me a promise for the carpet, but surely you realise you owe me for the mistreatment of my butler?”
“You can’t be serious, Lennard. We’re talking about chattel here. Servants are no different from your carpet or your priceless window. He’ll recover. A quick slash across the chops is a lesser thing than one of my own servants might have received had one of them tried to grapple with me. How dare he touch a person of—”
Lennard strode quickly to Astley and grabbed the fronts of his jacket.
“Let me tell you this. Although I said I’ve changed, my hate for you still burns in my chest. How dare you stride into my house, abuse my servants, and feel free to do whatever you like. Remember this before you leave. One word from me to the right person and you’ll find yourself gasping for air as you descend to the depths of the Thames, your arms bound behind your back, and your feet chained to an anchor. You’d just disappear. Like that!” Lennard snapped his fingers next to Astley’s ear.
“Have care to whom you make threats, Lennard. I’m too valuable to the Prime Minister. I still hold a seat and a loyal group of Irish lords who keep him in power.”
“Threats against other men interest me not, sir. I wish to have nothing ever to do with you from this day henceforth … not ever. Do you understand?”
“You’re making a big mistake.”
“Not so big a one as you made by appearing at my door and forcing your way into my house.”
“I shall take my leave of you. But don’t think this is over. I’ll put it about that you dishonoured your uncle’s word.”
“Do what you feel best, sir. But, by now, my coachman will have arrived with my riding gear and is waiting outside the door. If I were you, I’d leave this very moment before I grab my whip and thrash the living daylights out of you. You can apologise to Elam on your way out for injuring his brother.”
“Apologise? Why, I—”
“Oh, and Astley?” Lennard added, interrupting the man by violently releasing his jacket and pushing him backward, his knees hitting the edge of the Chesterfield. “Putting it about that I dishonoured your agreement with my uncle? Well, two can play at that game. It would not be hard to start a rumour that you’ve dealt with your ward, Neasa, inappropriately, and that’s the reason you’re so reluctant to allow her to marry into one of the most noble families in the land.”
“No one would believe that for one moment.”
“People have been wondering about your reluctance these past four or five years, ever since Sir George’s son first approached you. However, now, with my new title, I will have the ears of not only the leading members of society, but also those close to the throne. An innuendo is as good as an oath, don’t you think? Even Irish baronets who hold some sway in parliament are not immune to gossip. You’d not be invited anywhere, whether the slander is proved or not. Everyone knows Sir Hugh was not a businessman, and although the sum you offered would make you out to be a villain at the best, the premature plucking of a tender blossom before its time … why, Her Majesty would send someone banging at your door.”
After a thirty year career as a professional opera singer, performing as a soloist in opera houses and in concert halls all over the world, I took up a position as lecturer in music in Australia in 1999, at the Central Queensland Conservatorium of Music, which is now part of CQUniversity.
Brought up in Australia, between the bush and the beaches of the Eastern suburbs, I retired in 2015 and now live in the tropics, writing, gardening, and finally finding time to enjoy life and to re-establish a connection with who I am after a very busy career on the stage and as an academic.
I write mostly historical gay fiction. The stories are always about relationships and the inner workings of men; sometimes my fellas get down to the nitty-gritty, sometimes it’s up to you, the reader, to fill in the blanks.
Every book is story driven; spies, detectives, murders, epic dramas, there’s something for everyone. I also love to write about my country and the things that make us Aussies and our history different from the rest of the world.
I’m research driven. I always try to do my best to give the reader a sense of what life was like for my main characters in the world they live in.
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